Art, history, and community are on the chopping block.
The Rust-en-Vrede Gallery in Durbanville is under threat—and it’s not going down without a fight.
First, the bad news
After 40+ years as a safe haven for artists, students, and clay-splattered dreamers, the Rust-en-Vrede Gallery and Clay Museum has been told: pay commercial rent or pack up.
The City of Cape Town, current owner of the heritage site, has terminated its service-level agreement with the gallery, withdrawing financial support and shifting toward a rental model. In plain speak, they want a non-profit cultural space to start footing bills like it’s a boutique hotel.
If they can’t afford the rent, they lose the building.
If they lose the building, we all lose.
The community fights back
The gallery has launched a Change.org petition to appeal to the City and rally public support. It’s not just artists signing, it’s grandparents, teachers, students, and historians. Anyone who’s walked through those cool white walls and felt something old and sacred stir beneath the layers of paint and glaze.
“This is not just a building,” says the gallery in the TygerBurger article. “It’s a space where creativity, heritage, and community intersect.”
And they’re right. You don’t bulldoze a heartbeat.
What makes Rust-en-Vrede irreplaceable?
Let’s talk legacy:
Built in the 1840s, it served as a jail, courthouse, and police HQ before becoming a National Monument in 1984.
In 1981, it was rescued by the Durbanville Cultural Society, who transformed it into the sanctuary we know today.
It houses three professional exhibition spaces, the only dedicated Clay Museum in the country, an artist-run Cube Gallery, and multiple working studios and classrooms.
It has hosted thousands of local and international artists, including the winners of the South African Portrait Award, which it founded in 2013.
It is open to the public, inclusive, and education-driven, regularly offering school tours, workshops, and community classes.
And it does all this as a non-profit, largely volunteer-driven.
The City didn’t make this place thrive. The people did.
Follow the money
According to TygerBurger, the City argues that “policy has changed” and the lease must now reflect current “norms.” But this policy shift places a one-size-fits-all rental expectation onto a historic, cultural space whose purpose was never commercial.
The gallery has asked to remain under a service-level agreement, or for the building to be transferred to the community trust that’s maintained it since the ‘80s.
So far? No answer.
This isn’t just a gallery. It’s a story.
I don’t know about you, but I’d rather see this space protected than watch another strip mall bloom on the bones of something beautiful.
Art is not a luxury. Neither is memory. Art is a necessity.
We live in a time where stories are disappearing, swallowed up by algorithms, fast food franchises, and short-term thinking. Rust-en-Vrede tells a slow story. A deep one. One where kids learn to paint, retired nurses discover sculpture, and young artists hang their first work on an actual wall instead of just posting it online.
It would be easier if this were just a sad little gallery in a forgotten part of town. But it’s not. It’s alive. Still. Barely. And whether it stays that way depends on what we do now.
You don’t get many second chances with places like this.
Zola was seven when we steered back into Goodwood’s quiet grid of post‑war houses, hunting for the low‑slung building neighbours still call Ubuntu House. My palms stuck to the steering wheel the way they had seven years earlier, the day a social worker placed a two‑month‑old stranger in my arms and told me I was now a parent.
Then, the front garden felt like a border post between two emotional republics: on one side, certainty that the next breath would change our lives; on the other, terror that we weren’t ready. Now, the same gate squeaked its welcome, and the hibiscus hedge, once taller than my courage, looked almost friendly.
“Smells like someone’s cooking pap n sous,” Zola announced, inhaling. “You noticed the food first,” I laughed. “You really are my child.”
We signed the visitors’ book and stepped inside a building that has perfected the art of pause. Ubuntu House exists because South African law grants birth mothers a two‑month window to reverse an adoption decision. That pause protects everyone: the woman processing heartbreak, the baby adjusting to gravity, and the would‑be parents guarding their hearts like porcelain.
Archbishop Desmond Tutu once explained ubuntu this way: “You can’t be human all by yourself.”Ubuntu House is that sentence turned into bricks, cribs, and the gentle swoosh of a steriliser. It’s a village waiting room—where communities, not just couples, learn how much courage it takes to love with an open hand.
2 · The Parable of Zola — An Unfinished Adoption
Zola remembers nothing of her sixty days in the House; memory begins for her with crayons, not cribs. Yet returning unlocked faint echoes: the rattle of a metal cot, the warmth of a volunteer’s palm, a lullaby in two languages. She traced a finger along the nursery wall where eight identical cots stood like empty parentheses, waiting for sentences.
A veteran caregiver, Auntie Nomsa, hugged us both. The hug smelled of cocoa butter, disinfectant, and defiant hope.
“Each baby who leaves takes a family,” she said, “and each family takes the rest of us. We never cut the umbilical cord, we splice it.”
Splice. The word vibrated like guitar feedback. Zola’s origin story is not a tidy arc from orphan to Hallmark montage; it is a braid of birth‑mother bravery, legislative patience, caregiver stamina, and adoptive bewilderment. The book remains open, scribbled in pencil rather than ink.
South Africa’s own saga is equally pencilled. We’ve written luminous chapters—1994’s ballot queues snaking around township classrooms—and blacked‑out pages stained by Marikana shootings, state capture, and xenophobic violence. Draft after draft, we edit, erase, annotate, argue. Our national manuscript won’t be published in hardback during our lifetime, yet footnotes accumulate daily.
3 · Zoom‑Out — A Nation in the Waiting Room
Every society keeps a waiting room, a liminal space between what was and what might become. Ours is the Home Affairs queue, the voting‑day school hall, the taxi where eight languages debate potholes and rugby in the same breath.
Zimbabwean historian Stanlake Samkange distilled ubuntu into three maxims; the first insists: “I affirm my humanity by recognising yours.” Yet our news feeds roar the opposite: electric fences, algorithmic outrage, dinner tables split by power cuts. We resemble new adoptive parents, terrified the country might change its mind and reclaim the fragile optimism we clutch.
Voices from the Waiting Room
Voice
What they say
What they fear
What they hope
The Economist
“GDP is a national mood ring; when trust dips, capital flees.”
Permanent junk status.
Policy that marries growth with equity.
TikTok Comedian @AuntyFats
“Can we braai without dragging Eskom into the marinade?”
Being cancelled by both Left and Right.
Humour as a pressure valve.
Taxi Driver Vusi
“Ek ry ’n land wat nog soek vir homself.”
Politicians weaponising diversity.
Kids who can dream in any language.
Adoption Social Worker K. Naidoo
“Families think the two‑month pause is cruel. It’s mercy—for everyone.”
That adoptive parents ghost the House once papers clear.
Kin‑across‑difference, lifelong.
Grade‑12 Matriculant Lerato
“We’ve only known democracy, but not equality.”
That opportunity is postcode‑dependent.
A bursary—and safe streets to walk to class.
Each fear is legitimate, each hope fragile; all share the same cramped lobby with flickering fluorescent lights.
4 · The Long Table Metaphor
Imagine South Africa as a never‑ending farmhouse trestle stretching from Musina to Muizenberg. Seats are unassigned; you arrive with a story and a spoon. You’re expected to eat and listen in equal measure.
Eating together is one of humanity’s oldest hacks for turning anxiety into appetite. Anthropologists call it commensality; grandmothers call it “Have you eaten, my child?” Food metabolises hierarchy into humility, suspicion into seasoning.
So what belongs in the shared pot—a dish so unmistakably South African that even picky eaters will lean in?
5 · Recipe — Ubuntu Pot (Rainbow Samp‑&‑Bean Stew)
A base as humble as a baby’s first porridge, yet sturdy enough to host a carnival of toppings.
Ingredients (Serves 8 at the Long Table)
Element
Why it matters
2 cups samp (cracked maize)
Staple in Xhosa kitchens; edible heritage.
2 cups sugar beans
Protein for vegans and carnivores.
1 large sweet potato, cubed
Sweet resilience from Mpumalanga soils.
1 cup butternut, diced
Gold‑orange like a flag square.
1 tin coconut milk
Cape Malay nod; lactose‑free comfort.
2 tbsp peanut butter
West‑African echo & allergy conversation‑starter.
1 tbsp mild curry powder
Durban warmth without nuclear fallout.
2 cloves garlic, 1 thumb ginger
Immune boosters & gossip deterrents.
Bouquet fresh thyme & bay
Auntie Nomsa’s secret.
Salt & cracked black pepper
Because people confuse “season” with “spice”.
Method
Overnight Prelude – Soak samp and beans separately under moonlight; they, too, need a cooling‑off period.
Union Ceremony – Rinse, then simmer both in 2 L salted water until nearly tender (≈60 min).
Cape‑Malay Kiss – Stir in curry powder, coconut milk, peanut butter; simmer 10 min until velvet‑thick.
Serve – Ladle into enamel mugs. Invite toppings from the Side‑Dish Carnival.
Side‑Dish Carnival (Choose‑Your‑Own‑Identity)
Fire‑Charred Boerewors Coins – for protein maximalists.
Bright Mango Atchar – sweet‑acid punch, vegan.
Hand‑Ripped Dhania & Mint – herb bridge between spice provinces.
Crisp Pap Chips – gluten‑free crunch for texture anarchists.
Vegan Chakalaka – because the pot still needs gossip.
Pickled Beetroot Hearts – sour‑sweet apology for yesterday’s arguments.
The genius of Ubuntu Pot isn’t culinary complexity; it’s social architecture. A neutral base welcomes any condiment personality that drizzles onto it, exactly how a nation should welcome whichever narrative occupies the chair beside ours.
(Want dessert? Slice naartjies in half, dip the cut sides in brown sugar and set them caramelising on the dying coals. Simple, smoky, bittersweet—like history.)
6 · When the Ladle Is Missing — Accountability at the Table
What happens when someone hogs the ladle—when corruption siphons gravy from the communal pot? Ubuntu is neither naïve nor a scented candle; it demands mutual obligation.
Consider load shedding—briefly a joke, now a chronic ulcer on national time. We can rage on Twitter or we can organise street‑by‑street solar co‑ops, turning candle misery into micro‑grid resilience. When a councillor parks a luxury SUV outside a crumbling clinic, we can meme the hypocrisy or crowd‑fund pressure gauges for the maternity ward’s oxygen supply.
Ubuntu’s darker twin is ubuvila—slothful indifference. Compassion without accountability curdles into charity cosplay. Accountability without compassion mutates into punitive purism. The ladle must circulate—grease the hand if you must, but pass it on.
7 · Practical Acts of Micro‑Ubuntu (Calories Included)
Adopt a Kilometre – Greet every security guard, hawker, and cleaner by name for 30 days.
Pass the Salt Online – Rewrite your hottest rebuttal as a sincere question before posting.
Kitchen‑Chair Amnesty – Host supper where each guest brings a grievance with another guest; eat first, talk second.
Library Receipt Roulette – Tuck an encouraging note inside a returned library book.
Civic Cooling‑Off Period – Wait 48 hours before deciding you’re outraged.
Electric‑Fence Fika – Once a month, invite the neighbour whose dog keeps you awake to coffee over the wall.
Queue DJ – Create a shared playlist via Bluetooth speaker while everyone waits at Licensing. Democracy is easier in 4/4 time.
Mentor in the Dark – Offer load‑shedding study sessions lit by rechargeable lanterns at the local hall.
Grocery‑Basket Swap – Switch shopping lists with a friend from another culture and cook each other’s supper.
Two‑Month Mercy Challenge – Practise a cooling‑off period in personal conflict: no final words, no ultimatums, for sixty days. If Ubuntu House can hold a baby that long, you can hold your fury.
8 · Conclusion — Leaving the House, Extending the Table
As dusk melted across Goodwood, Zola pressed her forehead against Ubuntu House’s gate.
“Did I cry a lot here?” she asked. “No,” Auntie Nomsa smiled. “You slept, you ate, and every time we picked you up, you looked.”
Looked—present continuous tense. Zola is still looking, scanning horizons for blank pages she will someday fill. So, too, is South Africa. Our village house is vast; its rooms echo with unfinished sentences; its long table stretches beyond the throw of any single candle.
When we finally drove away, Zola waved through the rear window. I realised she wasn’t saying goodbye; she was resetting the horizon line between who she has been and who she might still become.
If a child’s first home can teach patience to legal systems, courage to birth‑mothers, and endurance to strangers who may never again see her face, imagine what a country of sixty‑two million could teach itself—if we sat down, passed the ladle, and tasted the stew before criticising the menu.
Let the tears come—of sadness for what’s broken, of joy for what still breathes. Then wipe them away with the corner of a neighbour’s serviette. Hope survives exactly there: in the messy, generous moment where my humanity needs yours to taste like anything at all.
Step away from the plastic fern, darling—real, breathing greenery is easier than you think.
Why My Plants Used to File for Restraining Orders
True confession: I once crisped a peace lily so badly it looked like biltong. I blamed “black thumb genetics” until I learned that some plants actually like benign neglec, and many are sold right here in Mzansi through Takealot, Builders, and every Saturday-morning market between Durbanville and Durban. Research backs it up: species such as snake plant and pothos not only survive dim flats but actively scrub indoor air of volatile nasties.
Ready to stop the botanical bloodshed? Meet my magnificent seven.
What it wants: One cup of water a month, maybe a compliment every quarter. Drama factor: 1/10. You could forget it behind the couch for a season; it would merely smirk and photosynthesise. NASA’s famous clean-air study put snake plants near the top for formaldehyde removal. Buy it: R 170 for a 17 cm pot at Cape Garden Centre (ships nationwide).
2 | ZZ Plant (Zamioculcas zamiifolia)—The Zen Master
What it wants: Low light, sporadic watering, zero gossip. Why you’ll love it: Glossy leaves that look polished even when Eskom doesn’t power the polish cloth. Garden writers rank it among the hardiest “set-and-forget” options. Buy it: R 200 via Happy Life Plants; arrives swaddled like a newborn.
3 | Golden Pothos (Epipremnum aureum)—The Over-Achiever
What it wants: Anything from bright-ish corner to bookshelf gloom. Party trick: Trails of variegated leaves that forgive missed waterings the way Labradors forgive bad tennis-ball throws. Extension experts call pothos “excellent for beginners.” Buy it: 15 cm hanging basket, R 140 on Plantify, just unbox, hang, and brag.
What it wants: Occasional sunbeam, weekly sip. Why it’s cool: Shoots out baby “spiderettes” you can pot up and gift (or keep, no judgment). Featured in 2025 “fast-growing houseplants” round-ups for good reason. Buy it: R 150 from Botanical Heaven, comes with two free offspring already dangling.
5 | Peace Lily (Spathiphyllum spp.)—The Drama Queen (But in a Good Way)
What it wants: Dappled light, evenly moist soil. Life hack: Leaves droop when thirsty, then bounce back after watering, built-in reminder for the forgetful. South-African supermarket Woollies sells a 14 cm specimen for under R 140.
6 | Aloe Vera—The Medic
What it wants: Bright light, sandy soil, the odd sunburned human to rescue. Bonus: Gel inside treats minor burns and mosquito bites, first-aid kit on a stem. Gardening mags list aloe among 2025’s “best low-light succulents.” Buy it:Builders Warehouse, R 79 per chunky starter.
What it wants: Indirect light, fortnightly water, occasional leaf-wipe (it’s vain like that). Reward: Insta-worthy glossy foliage that says “I’ve got my life together” even if you’re Googling “load-shedding dinner ideas.” Decofurn sells a 15 cm potted stunner for R 175.00 from Plantify.
Quick-Start Care Plan (No Latin Required)
Light: If you can read without squinting, the plant’s fine.
Water: Finger test, soil dry 3 cm down? Water. Still damp? Step away.
Food: A slow-release pellet every spring; skip if you forget, nobody dies.
Pots: Drainage holes are non-negotiable; saucers catch the guilt.
Do that, and you’ll be the smug friend doling out baby spider plants by Christmas.
I’ve always believed that life is just far too difficult to do alone. Not just the big, obvious stuff—like raising a child or recovering from loss—but the quiet, daily aches that wear us down. Healing, surviving, rebuilding… it takes a village. And more and more, that village is showing up in the form of community-based trauma therapy.
Why Community Matters in Healing
In South Africa, where many still carry the weight of generational trauma, structural violence, and social inequality, traditional one-on-one therapy isn’t always accessible—or culturally aligned. But healing doesn’t only happen on a therapist’s couch. It happens when stories are witnessed. When pain is spoken and met with compassion. When we remember we’re not alone.
Community-based trauma therapy recognizes that. It creates spaces—sometimes in community halls, sometimes on surfboards—where people can process trauma together. These models don’t just offer therapy. They offer belonging.
“Healing doesn’t only happen on a therapist’s couch. It happens when stories are witnessed.”
The Tree of Life: Stories as Medicine
One powerful example is Phola, a psychosocial support organization in Orange Farm. Their approach is rooted in narrative therapy, using tools like the “Tree of Life” to help individuals reframe their stories—not as broken, but as brave. The method allows people to speak about their experiences metaphorically, making it safer to explore painful memories, especially in group settings. This isn’t just storytelling—it’s survival alchemy.
“This isn’t just storytelling—it’s survival alchemy.”
Surf, Salt, and Solidarity
Another beautiful model is Waves for Change, which brings surf therapy to kids in under-resourced coastal communities. The ocean becomes a therapist of sorts—a place of play, trust-building, and emotional regulation. Trained surf mentors guide kids through structured sessions that blend movement with mental health support, reducing symptoms of trauma and anxiety over time.
Traditional Wisdom Meets Modern Healing
In many communities, healing is not separate from culture—it’s deeply spiritual. Practices like ukuthwasa, an initiation process into traditional healing, emphasize connection to ancestors, purpose, and the unseen. While not every path involves becoming a sangoma, the broader lesson is this: healing is not just psychological. It’s communal. It’s sacred.
The Work of Repair
South African psychologist Dr. Pumla Gobodo-Madikizela speaks of a “reparative quest”—a collective effort to confront historical trauma and create new pathways forward. Her work reminds us that healing is not about forgetting what happened, but about holding it with care, together.
“Healing is not about forgetting what happened, but about holding it with care, together.”
What We Can Learn
These community-based approaches aren’t just inspiring, they’re instructive. They remind us that we are wired for connection, and that recovery doesn’t have to be a solitary act. Whether it’s sharing a story, holding space for someone else’s pain, or simply showing up, we all have the capacity to be part of each other’s healing.